Darby Strong

Playing point. Delivering the rock.

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It ain’t Mrs.Darby dot com For a Reason


Frieda y Diego Rivera by Frida Kahlo

Our new landlord just called. I picked up the phone;
“Hello?”
“Hello, uh, Mrs. Burns?”
“Uh, no.”
Silence. I wait. Ball’s in his court.
“Um, is this Darby?”
“Yes, it is.”
“And, uh, you’re not Mrs. Burns?”
“No. I am not. I am Darby Strong.”

I relay this chapter because enough is enough. First of all, I would be Mrs. Burn, no “S”, as my loved one’s surname is Burn. Secondly, are we living in the year 2005, or did I just get bonked on the head with the Betty Crocker cookbook while darning my husbands socks and end up in Patriarchville, USA? Sometimes, it is difficult to tell.

I had reported earlier that our move to the South had unearthed this strange beast, marked by its constant assumption that two heterosexual beings seen together, anywhere, must be married. This beast presides within a huge amount of the population here, but somehow has not spread to the more progressive areas of the South and seems to have never survived in the North. I, being from the North, haven’t the immunity required to deflect the neverending barrage of male identity placed upon my femaleness. My system is weak against the husband assumption strain of the beast, and I don’t particularly care for the shot that helps me get used to it, either.

The best part comes when I mention that I don’t want kids…

Art is Old, and New Again

Jacquelyn McBain is one of those artists whose work grabs you by the throat and won’t let go until you consider it. From The Orion:

ANY ART, HOWEVER OBSCURE, may suddenly become an important influence for a new generation; one never knows when the past might become revolutionary; when some historical, ostensibly dead art may be resurrected as vital resource and trustworthy guide in an uncertain present. The current return to the Old Masters, as seen in Jacquelyn McBain’s excruciatingly-detailed paintings, is indeed postmodern in the sense that it involves the search for emotional warmth and authenticity in a cold, inhospitable world; a large, very public world in which one must make one’s own privacy to survive…

…McBain gives the familiar dialectic of nature and society, man and woman, a subtle new ecological expression. The threat to woman and to nature are one and the same for her; both are victims of man and the society he rules and the technology he invents. There is no protection against man and his destructive technology here.

The Rebirth


Rebirth, the Journey by Roisin Conroy

While sleeping outside on the mattress that fateful bat night, I couldn’t help but know there was a lesson mixed within the raw fear and unpleasantness of the situation. As bats flew above my makeshift sleep pad (all night long, might I add) I thought about a lot; too much, really, which was spinning me into the “face your fears” tizzy in which I found myself. Unfortunately, the light of day did not put my fears to rest, with the hardest part of my journey to come, represented symbolically by my naked leap over the root of my fears.

Perhaps I was overlooking my connection to nature, and this was an overt attempt by the spirits to help remind me that I, together with every human everywhere, am inextricably connected to all of the other living creatures on this varied, elemental Earth. Then I thought that I must be taking my riches for granted. That night reminded me that merely having a secure roof over my head was not only a gift, but one that I should not take for granted, as I do.

Then, I thought of the book “The Mutant Message Down Under,” where Marlo Morgan learns to commune with nature the aboriginal way. I recalled one passage where she learns, in the midst of dehydration, her exhausted and hungry bones being explored by crawling scorpians and other desert creatures, traipsing in and out of her ears, eyes and mouth, with the sun pounding down upon her, to let go of her mind. Which brought me to investigating Bat Medicine, as ascribed by our Native Americans.

Steeped in the mystery of Meso-American tribal ritual is the legend of Bat. Akin to the ancient Buddhist belief in reincarnation, in Central America, Bat is the symbol of rebirth. Bat embraces the idea of shamanistic death. Shaman death is the symbolic death of the initiate to the old ways of life and personal identity…The final initiation step is to be buried in the Earth for one day and to be reborn without former ego in the morning…

Symbolic here is the Earth as womb, as darkness and the sounds of animals prowling force the “initiate” to confront his or her fears.

So it could have been worse. At least I didn’t have to go into the dark night alone and bury myself alive. Still, I like to think of my own initiation as a reminder of how far I have come in this life, and how very far it is I have to go.

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